THERE'S A WAR ON

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There's A War On, was what grownups saidto kids, all through WWII.¿ It was theirexcuse for a lack of sweets and for having to live like moles in theBlackout.¿ It was also Jane's mother'sexcuse for dumping Jane to live with the Eastons in1940.¿ Unsure of her mother's love andnot knowing her dad 's whereabouts or even if hecared, Jane manages to survive an air raid and the war years, helped¿ by her allies Harry Easton and Sheena.¿ After victory is declared in 1945, Jane beginsher quest to trace her dad.¿ Sheeventually finds him and although their meeting is tinged with sadness, Janenow knows that she was loved and that she can face her mother, and all thatPeacetime will bring.¿¿
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THERE'S A WAR ON

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There's A War On, was what grownups saidto kids, all through WWII.¿ It was theirexcuse for a lack of sweets and for having to live like moles in theBlackout.¿ It was also Jane's mother'sexcuse for dumping Jane to live with the Eastons in1940.¿ Unsure of her mother's love andnot knowing her dad 's whereabouts or even if hecared, Jane manages to survive an air raid and the war years, helped¿ by her allies Harry Easton and Sheena.¿ After victory is declared in 1945, Jane beginsher quest to trace her dad.¿ Sheeventually finds him and although their meeting is tinged with sadness, Janenow knows that she was loved and that she can face her mother, and all thatPeacetime will bring.¿¿
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On Fashion

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Until recently, fashion was considered the "F-word" in intellectual circles, dismissed as unworthy of serious attention. Yet no area of life, no individual moment, stands outside fashion's discourses. Intuitively, we all know that clothing is a language, incessesantly communicating messages about its wearer. But who speaks this language, to whom it is addressed, what does it mean, and how are its meanings established and tranformed? On Fashion explores the ways our material, political, psychological, sexual, even intellectual lives are woven into fashion's fabric. This stimulating collection of essays explores fashion's symbolic and figurative functions in photography, cinema, and video; in consumerism, postmodernism, and feminism; in political and material culture; and in self-definition and subjectivity. They demonstrate the pervasive reach of fashion and its expressions. The collection contains over sixty photographs and illustrations and includes essays by Barbara Brodman, Mary Ann Caws, Helene Cixous, Linda Benn DeLibero, Diana Fuss, Cheryl Herr, Karla Jay, Deborah Jenson, Douglas Kellner, Ingeborg Majer O'Sickey, Leslie W. Rabine, Andrew Ross, Sonia Rykiel, Carol Shloss, Kaja Silverman, Maureen Turim, and Iris Marion Young.
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On Fashion

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Until recently, fashion was considered the "F-word" in intellectual circles, dismissed as unworthy of serious attention. Yet no area of life, no individual moment, stands outside fashion's discourses. Intuitively, we all know that clothing is a language, incessesantly communicating messages about its wearer. But who speaks this language, to whom it is addressed, what does it mean, and how are its meanings established and tranformed? On Fashion explores the ways our material, political, psychological, sexual, even intellectual lives are woven into fashion's fabric. This stimulating collection of essays explores fashion's symbolic and figurative functions in photography, cinema, and video; in consumerism, postmodernism, and feminism; in political and material culture; and in self-definition and subjectivity. They demonstrate the pervasive reach of fashion and its expressions. The collection contains over sixty photographs and illustrations and includes essays by Barbara Brodman, Mary Ann Caws, Helene Cixous, Linda Benn DeLibero, Diana Fuss, Cheryl Herr, Karla Jay, Deborah Jenson, Douglas Kellner, Ingeborg Majer O'Sickey, Leslie W. Rabine, Andrew Ross, Sonia Rykiel, Carol Shloss, Kaja Silverman, Maureen Turim, and Iris Marion Young.
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